Maquette the exchange glitch3/11/2023 ![]() ![]() The duplexed italics have a reduced slant.Ībstract Fonts link. Album Sans proposes a new reading of grotesques with an extended range of weights: the horizontal terminations of the R and the a, the binocular g, the junction of the k along with the singular design of the numbers, distinguish it from usual forms. Its silhouette retains some memory of the particular proportions and slightly flattened curves of Walbaum. Album is a subtraction of Walbaum: with no serifs for Album Sans and with no contrast for Album Slab. In 2020, Thomas Huot-Marchand decided to redesign them while developing an extended family. They proposed adding distant cousins in later typographic styles: a bold grotesque and a thin slab serif, but these typefaces would ultimately remain unused. In 2010, Thomas Huot-Marchand and SPMillot were asked to develop the typographic identity of the Musée d'Orsay that had been based on Berthold Walbaum since its very beginnings. But his romans had a different flavor, and for some, they contain the origins of the Grotesques that followed. Considered to be one of the foremost creators of his time, he engraved gothic letters and Antiqua type, similar to those of Didot and Bodoni. Quite gifted, he became a specialist, developing an activity as a punch-cutter, and eventually bought Ernst Wilhelm Kirschner’s type foundry. He explains: Justus Erich Walbaum (1768-1837), a confectioner by trade, carved his own cake molds. These fonts were based on designs by Walbaum. In 2021, he released Album Sans and Album Slab. ![]() Minerale won an award at the Type Directors Club's Type Design Competition 2019. The experimental typeface Minerale (2017).His research for this at the ANRT was based on the theory of "compact typography" put forth by Emile Javal, a French ophtalmologist who explained his ideas in "Physiologie de la lecture et de l'écriture" (1905). In Comedia he writes about legibility and the creation of Miniscule, which was optimized to be read at 2 to 6 points. A ten style family for small print, which won an award at the TDC2 2005 type competition. The 72-weight Garaje (from Garaje 55 to Garaje 100 Garaje 53 Unicase Black is free).His typefaces are distributed by 205tf (was: 205 Corp, or 256tm): He has been Director the Atelier national de recherche typographique (ANRT) in Nancy since 2012. He studied under Peter Keller at the ANRT in Nancy, and teaches at the École d'Art de Besançon. Ģ56tm is the foundry of Besançon, France-based designer Thomas Huot-Marchand (b. In 2016, Matt published the angular Preissig-style Millwright and explains that it is inspired by spunky DIY attitude and Industrial era hardware-an exercise in rendering glyphs with a rudimentary, hand-cut flavour. ![]() Although a faux Russian font, Sonovovitch has language support for the true Cyrillic alphabet. In 2014, Heximer created Sonovovitch, a unicase display typeface inspired by the Russian Constructivist movement and Soviet Cold War era propaganda. In 2007, Matt published the free icon typeface Adanac that contains 62 Canadiana symbols. The fonts at 10four design include Adanac (free, clean sans), Bitchin' Camaro (scratchy writing font), Devicq (based on the handwriting of actress Paula Devicq), Downsize, El Diablo (gothic), Lonely Cowboy, Lonely Cowpoke (2010), Mia Pets (dingbats), Swashbuckler, Techno Organic. He also created Halqemeylem Serif (1997) for the Stolo Nation, based on Majoor's Scala. Matt has held senior design and freelance positions in several Vancouver design firms.ĭesigner of ElDiabloRegular, TechnoOrganic (1996), Swashbuckler-Script (1996), Bitchin Camero (1996) at Garagefonts. Matt Heximer and Sue both graduated from The Emily Carr Institute of Art and Design in 1994. TYPE DESIGN INFORMATION PAGE last updated onġ0four design group was founded in 2002 by Sue Lepard and Matt Heximer in Vancouver. ![]()
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